Sunday, August 30, 2009

Five ways to taste a distilled quintessence

A quintessence of whisky tastes.

Laurel aka Aisling


1. ” Ah, seaweed, sultry smoke and harsh loveliness,” she sighs appreciatively, sipping the amber liquid, as a rather long tongue traces circles around lips moist with the thrice dlstilled laphroaig.

2. “This stuff tastes like a smokehouse and slaughter house combined”. He grimaces spitting out her drink of choice. She smiles, surreptitiously savoring her recently discovered way to discern if there will be a second date.

3. Laird Hardon gazes with fascination at the three shots of Island Whisky before him. Slowly he raises the first glass. As he inhales, descending, his eyes close. Within he tastes the salty splendors of wave tossed wild windy skys, craggy damp rocks and a tantalizingly dangerous briney ocean, As he savors the wicked tastes he slips more deeply into trance.

Sir? “Was that the Lagavoolin, the Laphroiag or the Talisker?”

Lord Hardon was lost in the pleasures of penetrating a mystery. He was not ready to give words to the stimulating serenede of scents.

4. ” Papa, I want a wee taste. Your third wifey said I could have a wee taste.”

“Did she lad? all right, here.” The child wraps both hands around the shot glass that is decorated with pirate ships. The child grimaces and then manages a smile. Tiny pink tongue flicking back and forth he says, “it smells like pirates and treasures and the long legs of ladies.”

“Lad”, his father said.” I thought that was you under the table last night.”

The wee boy giggled. ” I wish I could join you down there son.”

“You can if you like, it’s oh so much fun.”

“Another wee taste of the amber licorice brew?”

5. “This one is staid and dependable” said the olderly man dressed in a violet velvet vest and quite a few strange strings woven into a medley of mistakes. The olderly man set the whisky glass on the table with a clang. As he tried the next glass he sniffed strangely, almost inhaling the stuff.

” This is too wild” he said, insulted by the wild smokey peaty pleasures. “This is island whisky” he intoned. ” I want my whisky from the center of Scotland, not from the wild Islands full of Silkie Stories.” To himself, he whispers, and far too many memories.


Lunar Phases as Chapters in the Novel

Feminine Cycles in Phases of Moon and Faery Tales too

Exploring the Phases of the Moon

NEW MOON - Feeling into what is wanting to be born in this nascent lunar cycle

CRESCENT - Clarifying intention and deepening commitment

FIRST QUARTER - Anticipating a challenge.Being connected to that which
keeps one strong and connected to intention

GIBBOUS - Growing Awareness

FULL MOON - Illumination
Realization

DISSEMINATING - Integration

LAST QUARTER
A challenge to deepen and embody what is being learned.

BALSAMIC
Sharing and reflecting on the cycle .Cultivating awareness of what to let be and what to carry into the new cycle.


DARK
Inner time preparing for new beginning


Friday, August 28, 2009

Tincture Weaving Yarns

T W Y

Tincture Weaving Yarns






rose frog joy cake motorcycle typing detective detective detective detective violin detective detective detective detective violin detective detective detective detective detective detective violin typing typing typing

Tuesday, August 25, 2009

Laurel, larken and Aisling all write novels

Sunday, August 23, 2009

A Dionysian Dance today - teaching wild classes

Welcome to the dancing writers and ecstatic ones all

Ecstasy is the foundation it is not the goal

Align with the Ecstatic and then pick up the pen, lay our hands on the keyboard and play the music that enlivens and leads to the revelation of the Stories Within

Blessed Be

all names
no names
and no
thing
and
every no thing at all

Ecstasy is the foundation
it is not the goal
Welcome Dionysus and creative ones, all

Journey well

Laurel and all

Wednesday, August 19, 2009

Frost

The final verse is lovely

to be reminded

of that which is lovely

like the reverberation of mantra, mudra, mandala, mandorla,

is deeply nourishing

I feel to type- for the inflection/rhythm/incantation of where frost has been, of where I am...

The woods are lovely, dark and deep
But I have promises to keep
And miles to go before I sleep
And miles to go before I sleep

haunting really, and without the punctuation, to me, the words continue
to

echo

e
c
h

ooooooooooo

tonight
a part of me wishes to go deeply into that forest
and in my novel I am writing into the
tangled emotional terrain of
the lost woods

the telling of the tale that is telling me


rather wild

journey well

Tuesday, August 18, 2009

playin g with wordzzzzzzzz

Temerity Scowls Yonder

Saturday, August 15, 2009

an image that stirred a chapter in my book

ah...well the image vanished, but it was quintessentially evocative and I wished to share it.

Friday, August 14, 2009

The Language of the woodland

The language I am creating for the Forest in my novel also seems to be creating a new dimension to my perception of the multi verse.

wild process.......

Journey well

Laurel

Tuesday, August 11, 2009

was yonder in it ere this

The beginning of this tale is the Gaelic "Once upon a time."

Bha

siod

ann

roimhe

so.

Was

yonder

in it

ere

this.


Saturday, August 08, 2009

what's really going on?

New videos soon, from my show, to be found on a site being choreographed called What's really going on?


Good Goddess - so very much is going on and hopefully a bridge between the earth and sky.......



what's really going on here?



Prelude, interlude, quixotic murmurings, the miracle of kindred playfulness...



L

Thursday, August 06, 2009

Penumbra

You are right, Pemba is not a Scottish name. In my other novels, all the names I've chosen are Scottish. In this one I chose an African name because it sounded a bit like Penumbra, to me.

I like that Pembra means "the force of present existence. Working with Faro (the force of the future,) and is said to make the world go around and move the stars. I'm not quite sure what all this means but I find myself intrigued.


Perhaps the keepers of the story Pemba told, demanded more of Pemba than she could fathom.

Perhaps she is claimed by the Keepers of this story and has to learn something that terrifies her.

Perhaps she has always known this "no-thing," but her conscious mind has not aligned with what her 'other than conscious mind' has built her life upon, until now.


Aisling